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PDF-Bücher Directing the Story: Professional Storytelling and Storyboarding Techniques for Live Action and Animation, by Francis Glebas
PDF-Bücher Directing the Story: Professional Storytelling and Storyboarding Techniques for Live Action and Animation, by Francis Glebas
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Directing the Story: Professional Storytelling and Storyboarding Techniques for Live Action and Animation, by Francis Glebas
PDF-Bücher Directing the Story: Professional Storytelling and Storyboarding Techniques for Live Action and Animation, by Francis Glebas
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Pressestimmen
Francis Glebas has put together a really comprehensive and thought-provoking look at the art and craft of film making, specifically directing. His approach, which is to ask a lot of seemingly innocent questions, has much the same effect as the good storytelling he is trying to teach us.it draws us in and makes us think. I can't imagine anyone, in or out of our business, who won't find any number of helpful ideas as they work their way through the filmmaking jungles!!- Roy Disney, Director Emeritus and consultant for The Walt Disney CompanyFrancis Glebas was one of our most talented storyboard artists at Disney, and it was our great fortune to have him on the story team. He has a wealth of experience to share.- Jeffrey Katzenberg, CEO, Dreamworks Animation
Synopsis
Francis Glebas, a top Disney storyboard artist, teaches artists a structural approach to clearly and dramatically presenting visual stories. They will learn classic visual storytelling techniques such as conveying meaning with images and directing the viewer's eye. Glebas also teaches how to spot potential problems before they cost time and money, and he offers creative solutions on how to solve them. This title uses the classic story of '1001 Arabian Nights' to show how to storyboard stories that will engage an audience's attention and emotions. It contains 1001 drawings in graphic novel format plus teaching concepts and commentary. All of the storyboarding examples have a real project context rather to engage a very visual audience on their own terms and teaches through demonstration.
Alle Produktbeschreibungen
Produktinformation
Taschenbuch: 346 Seiten
Verlag: Butterworth Heinemann (7. November 2008)
Sprache: Englisch
ISBN-10: 0240810767
ISBN-13: 978-0240810768
Größe und/oder Gewicht:
21,3 x 27,4 x 2 cm
Durchschnittliche Kundenbewertung:
5.0 von 5 Sternen
5 Kundenrezensionen
Amazon Bestseller-Rang:
Nr. 82.540 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
I really love this book as it gives an in depth insight on how stories work and what elements play a part in it. On some topics it is not as detailed (like the silhouette of characters, color theory etc.) but one single book simply cannot be a bible für storyteller. Still, it covers all important points!It's easy to read, although or even because of numerous examples provided. Never got lost in it, because the overall example of Scheherazade's story is prominent in every chapter. It feels like Glebas is talking to me, not like to a broad audience. Read "The hero with a thousand faces" before, so reading this book was really a relief because of far easier language. I'm using it for my Bachelor thesis and I'm glad i read it because its input is of incredible value.The only negative thing that is to mention: The format! It's around A4 in transversal format and for my personal preference, this is way too wide. This might also be influenced by the soft cover that does not give any stability by nature. I think a 21x21cm would have done its job better. Wouldn't have interfered with the transversal storyboard images if layout was done well. Apart of the handling, the book is simply great!For anyone interested I can also recommend "Into the woods - how stories work and why we tell them" by John Yorke which I am currently reading.
Note the title is about directing the story, not directing the movie, and the emphasis is on the story.The goal of this book is to help you get your audience "lost in the story" of your movie. It details a lot of professional directing techniques and principles to help aid storytelling. The writing is clear and Francis Glebas even storyboarded a whole short story to serve as an example, in addition to the many examples already provided.Using storyboards as a primary tool, he goes through the various storytelling techniques used in films , like ways to pace/cut scenes, introducing themes and story structure subtly, directing the audience's eyes, creating characters people can related to, etc. Francis Glebas then breaks down these high level concepts into many smaller easy-to-understand points to focus in depth.One particular point to note is the version of "One Thousand and One Arabian Nights" Francis Glebas has storyboarded to provided as an example throughout the book. All the techniques he teaches are used in the storyboard for that story. It ends with cliffhangers in every chapter. The story is absorbing even though it's done in sketches. Goes to show that story is still king.This book is for anyone who wants to direct professional stories. It should be made compulsory reading in film schools. Two enthusiastic thumbs up from me.For more reading, I would recommend Ideas for the Animated Short, which goes even further in depth with storytelling techniques. Bad stories shouldn't have excuses.There are more pictures of the book on my blog. Just visit my Amazon profile for the link.
This book is just great! In a very comprehensible way Francis Glebas explains you everything you need to know about directing or storyboarding a movie. I read this book to get to know more about storyboarding for animated films. I've found everything that I was looking for!What I love about the book is that it explains you why we watch movies. What are the psychological reasons behind us sitting in front of a screen for two hours? This helps a lot to create compelling stories which will make the audience follow your narration until the end without noticing the time passing. The book covers this topic as well as story structure, drawing skills and composition knowledge. It explains you how to direct the eye of the viewer. I think that's very valuable for creating an immersive picture to have the viewer lost in your tale.And by the way, Mr Glebas leads you through the educational parts with lots of (fun) examples, illustrations and, especially, his own version of the famous "One Thousand And One Night" fairytale. He himself makes you feel lost in the story.If you're an aspiring filmmaker, storyboard artist, director - I strongly recommend you this book as I am sure it'll help you to improve your storytelling and directing skills!
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